Statement

My artistic practice is rooted in a long-term inquiry into the nature of self, consciousness, and existence. I am interested in how reality is constructed and perceived, not only as an external, material world, but as an experience shaped by attention, emotion, memory, and belief. This inquiry unfolds through close observation of both natural and human systems, and through sustained reflection on inner states of being.

Across my work, I investigate natural and human patterns that operate beneath the surface of everyday life: emotional dynamics, behavioural tendencies, perceptual filters, and the ways in which a sense of identity is continuously formed and dissolved.

Earlier stages of my practice approached these questions through themes such as beauty, time, light, decay, and natural cycles. Since 2024, my focus has shifted more explicitly toward the relationship between inner human experience and outer structure: how psychological and biological processes intertwine, and how physical reality emerges from less tangible layers of consciousness.

Drawing and poetry function as tools for inquiry rather than representation. In that way the work creates itself with each new self-informed question. Through geometric drawings, natural and symbolic structures, and text, I translate complex and often elusive processes into visual and linguistic form. This translation happens intuitively. A larger meaning and understanding arises through connection and the body of works as one. 

My practice is informed by scientific perspectives on biology, biochemistry, quantum physics, neuroscience, and systems theory, alongside phenomenological observation, personal lived experience and the body in itself as a complex machinery and accumulation of all the above. I am particularly interested in how states of calm attention and presence alter perception, deepen awareness, and reshape the way inner and outer reality is encountered and expressed. In this sense, the work reflects an ongoing exploration of consciousness itself, not as an abstract concept, but as something embodied, dynamic, and continuously in flux.

The resulting works often appear as fragments of a larger, evolving constellation. A visual and poetic story that remains open-ended. My practice invites reflection on how inner and outer worlds inform one another, and how perception, presence, and awareness shape the reality we inhabit through our sense of self.