Statement

My artistic practice is rooted in a long-term inquiry into the nature of self, consciousness, and existence — how reality is constructed not only as an external, material world, but as something continuously shaped by attention, emotion, memory, and belief.

Earlier stages of my practice approached this through themes of beauty, time, light, decay, and natural cycles. Since 2024, the focus has shifted more explicitly toward the relationship between inner experience and outer structure: how psychological and biological processes intertwine, and how physical reality emerges from less tangible layers of consciousness.

Drawing and poetry function as tools for this inquiry rather than representation. Through geometric drawings, natural and symbolic structures, and text, I translate complex and often elusive processes into visual and linguistic form – intuitively, and through each new self-informed question. A larger meaning emerges from the body of works as a whole.

My practice is informed by biology, biochemistry, quantum physics, neuroscience, and systems theory, alongside phenomenological observation and lived experience. The body itself serves as primary site of research: a complex machinery and accumulation of all the above. I am particularly interested in how states of calm presence alter what we are able to perceive, and therefore what becomes expressible and accessible.

The resulting works appear as fragments of a larger, evolving constellation: a visual and poetic story that remains open-ended, and that invites reflection on how our sense of self shapes the reality we inhabit.